![]() ![]() 'Proper' isn't the correct word to describe this - 'Integer' is the one you need. ![]() I searched google for "audition OR cooledit 24bit OR 24-bit 32bit OR 32-bit" In all cases I am using 24 bit signed integer at 96khz.īasically it seems that Audition and Goldwave are doing something undesirable to the file that Audacity isn't.This seems a bit hard to believe as Audacity is freeware and the other two are $$$ware. Is this an artifact of the software upsampling then downsampling again?!Įven stranger, if I record directly in Goldwave then FLAC the resulting WAV, the FLAC file comes out larger than if I'd recorded in Audacity. It seems the resaving is introducing some kind of 'noise' to the file that FLAC has a hard time dealing with. If I open in Audition and resave the same thing occurs. The second FLAC file is significantly larger than the first, (by about 50%!). FLAC this fileĢ) Record in Audacity, save to WAV, open WAV in Goldwave and resave (doing nothing else). However today I noticed an odd thing if I produce two separate FLAC files as follows:ġ) Record in Audacity and save to WAV. Using Audacity to record, Goldwave to perform pop/click removal then FLAC encoding. (.I have been copying some of my vinyl to 24/96 recently. That's where it's nice to have needledrops/cd's that are very similar to provide a diagnostic comparison. I got over ~ 2500 hrs with my Lyra Argo (i) and I don't know how long it would have lasted, as it still sounded great when I traded it for the Delos. I know which LP's I started with at ~900 hrs (est.) I anticipate ~3000 hrs for my Delos, and I sense (hear) no issues thus far at over 2000 hrs. Having been teleworking for the past several months, I've made ~500-600 needledrops, and my personal workflow is pretty smooth.ĭiagnostic note: I'll also soon start using the needledrops to check cartridge wear. I am fortunate in a sense that my "audio room" is adjacent to my office alcove, so I can listen and enjoy the recording music (at lowish volumes) while working. It has cost me ~ $0.25/recording thus far.Ĭlick to expand.This is just a hobby (for me, anyway), so concur with the fun element. It really is a very simple unit to use I'm sure there are better ones, but for me its results are exactly what I need. When I do the occasional needledrop-to-corresponding-cd rip comparisons, I've never detected any unusual level differences, either. I just sample what I anticipate to be the hottest track, set and forget like any cassette deck. I do wish the Denon had more resolution with the level meters, but I generally just shoot for -4 to 0 db peaks and it's been fine. I have not run into any gain issues at all (my phono pre is at 57 db gain unbalanced out). I import to my NAS via Apple Music (iTunes) for final assembly, as I'm used to its interface. I've had to use the Click Repair (at various sensitivities) for a few albums, and it does a great job, as well. Occasionally I need to manually input track titles, but still simple. Processing Note: When processing the wav files, I do not mess with levels in VinylStudio.the only thing I do is cleanup empty space and set/adjust track breaks (in addition to track naming / album art via Discogs - great great feature.). It has cost me ~ $0.25/recording thus far. ![]() Click to expand.I have not run into any gain issues at all (my phono pre is at 57 db gain unbalanced out). ![]()
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